Saturday, August 22, 2009

Yellow Monster @ Brunswick Arts























Yellow Monster, a solo exhibition by Alister Karl
Closing night celebration 26th September, 6 to 8pm.
Running 11th to 27th September 2009

Playing with ideas of monuments and ruins, Alister Karl invokes the ghosts of past childhood memories, creating an installation out of Tonka trucks toys. The work has a dark undercurrent as the trucks take on the role of ruin, stacked haphazardly in the corner, discarded. Suggesting a long forgotten time and place that we admire from a distance.

Each truck carries a story with it, where it’s been, what it once meant to some body, the neglect that it has suffered. By piling the trucks, the individual voices are drowned out and buried. When the trucks become animated they regain their voice but they seem alone, trying to relive old times and glory days. The ghost of the child who had loved them, hovering over the proceedings. The adult who looks back at his or her childhood toys with fondness in the same way that a large civilisation looks back at the ruins of the past.

Karl choses a very masculine symbol when he uses the Tonka truck to illustrate this ‘universal history’. The Tonka truck is often symbolic of a boy’s (and sometimes a girl’s) desire to grow up and become a man. These toys are a symbol of the child looking forward to Adulthood. In Yellow Monster, Alister turns them around so the adult looks back at their child self - peering at each other over the gulf of time that will always separate them.

Alister Karl is a practising artist for more then thirteen years. Working in a range of media and disciplines Alister creates immersive installations and environments for the viewer to experience. Always with a sense of humour, Alister explores the experience of memory and false longing.

This sense of humour is never more present then it is in Karl’s artist statement, in which he creates an almost dream like sense of the child that he looks to.
“Tonka trucks litter Alister’s home, mostly yellow ones with a few red ones and some very small ones. He brings them to life in ways that he could not quite do when smaller then he currently is. He dreams that one day there will be enough toy trucks in his home that they could reach the ceiling if piled in the right way.
Teetering and tottering ready to fall.”(1)

As Walter Benjamin discussed in “The Image of Proust,” superseded objects, things that have become part of a previous era carry a special aura or significance. “In his view, these objects could be harnessed to convey a profane illumination of the present (2).” Alister takes this concept and applies it to an individual’s consciousness rather then a collectives. A toy truck will always be current as long as there are children within a collective. The same toy truck becomes outmoded relatively quickly in the individuals life. But can that little yellow truck, when looked back on, some how illuminate the adult in some way?

(1)Karl, Alister, ‘Yellow Monster’, artist statement, Brunswick Arts Space, Melbourne, 2009
(2) Kunda, Maria, ‘Essay’, Sally Smart: Shadow Farm, exhibition catalogue, Bendigo Art Gallery, 2001, pp.5.

Yellow Monster will run from the 11th to the 27th September 2009 at Brunswickarts Space with a closing night celebration on Friday the 26th of September from 6 to 8pm.
Brunswickarts Space 2a Little Breese Street Brunswick, VIC 3056
Email: info@brunswickarts.com.au www.brunswickarts.com.au



This is BrunswickArts 09 @ Brunswick St gallery











(From top) 1. Monument, Graphite on board, Alister Karl, 2009.
2. Monument detail, Graphite on board, Alister Karl, 2009.
3. Monument detail, Graphite on board, Alister Karl, 2009.
4. Monument detail, Graphite on board, Alister Karl, 2009.
This was a show that happened at Brunswick Street gallery at the start of 2009. We try to have an This is Brunswick Arts exhibition each year. It is a show of each of the members of Brunswick Arts and the people who have helped us out through out the year. This was the third exhibition that we have held with the same name.
The work that I exhibited is something that has been forgotten, leaned against the back wall, used to pile other stuff in front of. Out of site out of mind......

Plants and Shadows @ The Projects













































(From Top) 1. Invite front
2. Invite back
3. Wattle Tree panel one, carbon black on paper, Alister Karl, 2009
4. Wattle Tree panel two, carbon black on paper, Alister Karl, 2009
5. Instalation veiw, room two.
6. Instalation veiw, room one
7. Wattle Tree panel three, carbon black on wall, Alister Karl, 2009
8. Instalation veiw, room one

Colaborative exhibition with Monica Poray at The Projects.
Room One: Interaction
Room Two: Contemplation

While the first room is noisy with the murmuring of the speakers and the sound of the urban sprawl out side; the second room is silent becoming the shadow of the first through the contrast of life and death. The first room has a series of live plants tumbling through space; the back room has a single dead plant hanging upside down by its roots. The front room invites people to walk amongst the work and interact with it while the back room you are only able to stand as a viewer outside looking in.






Going Postal @ Brunswickarts




This was a fun little project that was curated by Erin Voth. Artists from all over the world were invited to submit their work. The only restriction was that the art work had to arrive in the post and the artist had to be happy to donate it to Brunswick Arts. So of coarse I dutifully made an art work and went around the corner and posted it back to my gallery. Shown in the photographs are the work that I sent. In the top photo is the envelop that I sent the material in. And in the bottom photo is all the stuff in the envelop and how it was arranged in the show. What I sent were instructions and images for some one else to install a wall drawing. The drawing of the Mini directly on to the wall was installed by Erin Voth.
Check out some of Erin's other work at http://www.erinvoth.blogspot.com/

B Grade @ Brunswickarts Space






















(From Top) 1. The Cars that ate paris 3, mix media on paper, Alister Karl, 2008
2. The Cars that ate paris 2, mix media on paper, Alister Karl, 2008
3. The Cars that ate paris 1, mix media on paper, Alister Karl, 2008
4. Scream detail, graphite on wall, plaster and wire, collaboration between Erin Voth and Alister Karl, 2008
5. Scream detail, graphite on wall, plaster and wire, collaboration between Erin Voth and Alister Karl, 2008
6. Scream, graphite on wall, plaster and wire, collaboration between Erin Voth and Alister Karl, 2008
This was an exhibition that was curated by Alison Hanley about the Bgrade movie. Artists were invited to make artwork to the theme with no restrictions. Lots of gaffa tape, falling over sets and bad dialogue.






Lossless was an exhibition of video artist that I was invited to be in at Box Copy in Brisbane. The video I showed there was the same work that appeared in Blue with out the wall drawing. For more info check out http://boxcopy.org/2008/08/16/284/

Wall Paper @ Trocadero Art Space




Wallpaper was an open entry show in which artists were invited to work directly onto the walls over a two day period. I did a series of small trucks all about 6 cm square. I purposely hid them in and around other peoples work and in places that are not easily noticeable. I heard from the sitters of the show that kids would come in and make a game of trying to find all six trucks. Fine Arts where's Wally.....
For more info about Trocadero art space check out http://www.trocaderoartspace.com.au/

I want to Believe @ Box Copy, Brisbane











1. I want to Believe, invite.
2. Rope intervention 1
3. Rope intervention 1
This work was installed by the curator Channon Goodwin in Brisbane. He followed detailed instructions that I gave him, including a shopping list of the materials he would need to create the installation, the instructions were open to some interpretation. The piece included a video element that was exhibited in the room under the rope. The video was of a smaller installation of the rope piece being plucked like a harp with accompanying auto harp sound.
For more info about Box Copy go to http://boxcopy.org/about/

+1 @ The Library art space




















1. Invite for +1, back.
2. Invite for +1
3. Moving Earth, graphite on paper, 08


This was the Library Art space's first show, the premise was that each of the artists who ran Library invited one other person to exhibit along with them. Check out http://www.j-studios.org/ for more info on The Library art space.

Blue @ Brunswickarts 10.5.2008 - 24.5.2008




1. Yellow Monster 08, detail, graphite on wall and digital video, 2008
2. Yellow Monster 08, graphite on wall and digital video, 2008
This was a large wall drawing that I completed over a 4 day period, the piece also had a small video displayed of the Machinery and workmen cleaning a site. The video piece has a classical score which gives it the feeling of a dance unfolding. A seemingly pointless dance. The vacant lot that is pitched had held a family home only a week before. 1 year later there is an ugly block of units on the same space.
Blue was an exhibition of all boys making work about being boys. The artist exhibited in this show were, dirtfish, Leon Hawker, David Ramm, Benjamin Webb, James Wray, Alister Karl.

Entry 08 @ Brunswick Arts




1. Yellow monster, detail, graphite and pigment on wall, 08.
2. Yellow monster, graphite and pigment on wall, 08.
This work was executed deliberately down close to the floor to take advantage of the white space of the wall, and to hide it from the viewer. Only the lucky viewer or observant viewer noticed this work, down by their feet, during the opening.

Sunday, August 16, 2009

Ultimate tool at Red Gallery in 2007











Illumination at Brunswickarts






(From Top) 1. Dragons, Dragons, Dragons, Mixed media instalation, 2007
2. Dragons, Dragons, Dragons, Mixed media instalation, 2007
3. Dragons, Dragons, Dragons, Mixed media instalation, 2007
Illumination was an exhibition concerning the book that I curated in 2007 at Brunswickarts space.
The handmade, tactile and precious are often characteristics that are associated with artists books, but other publications such as zines fall into this category as well, juxtaposing the idea of the one off and precious. Artists books often take on a more sculptural like form when they are displayed, blurring the lines even more as to what form an artist book takes. In the extreme, an artist book can take the form of installation, flooding out into the gallery space. In this regard notions of what an artist book comprises are broadened.